Latest Entries »

Michael Velliquette

Power Tower, 2009
Cut card stock, gator board, and glue

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Gina Litherland

Good Luck Painting, 2007
Oil on masonite

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Chad Hallblade

Salt Hill and Bridge, 2008

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Carol Emmons

Here. There., 2010
Wood, steel, paper, telescope, mirrors, and vinyl

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Frances Myers

Left Behind, 2009
Digital print on archival paper

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Martha Glowacki

Lessons from the Book of Secrets, 2007
Wood, glass, etched copper, found tintypes, bronze, bones, and pigments

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Drop-In Tour / Capturing Memory

Saturday, July 10 · 11-11:30 am

Drop-In Tour / Capturing Memory
Susan Hoffman will explore how three prominent Wisconsin artists—Warrington Colescott, Martha Glowacki, and Frances Myers—reconstruct history and capture memory through painting, photography, and assemblage. Hoffman is an artist and reading specialist for the DeForest School District.

Location: Madison Museum of Contemporary Art

Warrington Colescott

Lewis and Clark: Jefferson and Sacagawea Mourn the Death of Meriwether Lewis (in a New Orleans Dance Hall)

Lewis and Clark: Jefferson and Sacagawea Mourn the Death of Meriwether Lewis (in a New Orleans Dance Hall), 2009

Charcoal, ink, and water media paint on paper View full article »

Art Talk

Friday, June 25 · 6-6:30 pm

Triennial Artist / Carl Corey

Location: Madison Museum of Contemporary Art

Carl Corey’s recent photographic series, Wisconsin Tavern League, speaks to the importance of the local tavern as a locus for community, interaction, and friendship. As he points out, “Many of these bars are the only public gathering places in the rural communities they serve.” Following his MMoCA presentation, Corey will discuss his Habitat series, which will be on view at the James Watrous Gallery of the Wisconsin Academy of Sciences, Arts, & Letters from June 22 to August 8, 2010.

Eduardo J. Villanueva

Photo courtesy of Doug Fath

Eduardo Villanueva’s art investigates objects and imagery from the visual world that are infused with nationalistic, political, religious, or social significance.  For example, Villanueva’s installation for the Wisconsin Triennial addresses the symbolism of the triumphal arch.  Specifically, Ilex Ita Sanctus plays with notions of sacred and profane space: “By activating a space that is usually overlooked in the gallery setting I can first bring attention to the space itself and secondly cause the viewer to reflect upon the act of entering a space.”

Want to learn more about this artist?  Click on the link to access Eduardo Villanueva’s website: www.eduardojvillanueva.com

Or, friend him on facebook: www.facebook.com/eduardojvillanueva